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August 11, 2009
Azazel Jacobs
"The GoodTimesKid has a whimsy, a passion, a sophistication and, above all, a vigor that's mostly drained out of Amerindie cinema over the last decade or so."
— Andrew O'Hehir, SALON
A story about stolen love and stolen identities, literally shot on stolen film... Momma's Man writer-director Azazel Jacobs' effortlessly hip second feature is an absurdist comedy of errors, a punk-rock slice of DIY rebellion, and a warmhearted frolic that captures the "amour fou spirit of the early French New Wave" (The Village Voice).
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